Good Morning Tokyo, our final destination.
After a wild goose chase We rocked up at our 20th and final bed of the trip only to find we couldn’t get in. Thanks to nimble hands and a pen we managed to retrieve the keys from a locked box. Our traditional Japanese one roomed flat had a certain 70s feel so we knew it was past its sell by date, but it was fine. Until that is the people upstairs came home in the evening. Then the thin walls reverberated every word and footstep around us, then 8.00am every morning the scaffolding company over the road loaded their trucks. Funny how some things are never mentioned in reviews. The location was great and nothing was too difficult to get to.
One’s not enough.
Here in Tokyo, I began to feel as though we weren’t in Japan anymore. It was the same, but different. Same city mind-set but without the historical beauty or skyscraper magnitude like London and New York. Tokyo is vast, impersonal and digitally noisy but humanly quiet.
We must have only scratched the surface in our week here, but slowly we dug and discovered there was more.
The cleanliness is there, as is the order but it’s a little less rigid. The Christmas lights added a warmth to the neon overload. Everything is bigger here: the shops, crowds, stations and the crossings. We saw some bizarre labelled fashion, but we thought there may be more extremes and creative looks but we didn’t see much evidence of this, its surprisingly bland and predictable, I guess thats globalisation for you.
This is the front.
This is the back!!
It appears to be the latest trend to wear matching outfits.
The Cosplayers add an alternative look to the branded market.
The ride out to Palette City, near Tokyo Bay was spectacular both in daylight and night-time. The views were amazing as you looked back at the city. Then we discovered Teamlab…
The new Mori Building Digital Art Museum: TeamLab Borderless, sounds a bit dull and a bit of a mouthful, fortunately its a concept that belies its name. The world’s first digital museum of this scope and massive scale. 10,000 square feet of it. A totally immersive and interactive experience created by TeamLab, a fast-growing Tokyo collective of so-called “ultra technologists”.
Home to about 50 artworks loosely divided into five areas, orchestrated by a network of 520 computers and 470 high-tech projectors.
Like many elements in Japan, their Art museums are bound by rules, but this place is a change from the norm. Here there are no borders, the art moves with you, as you wander aimlessly soaking in the mesmerising fluid displays in forests, seas, fields of flowers and much, much more. Within all the technology it remains tethered to reality, whether its the change of seasons or when you touch a fluttering butterfly, it promptly dies.
Teamlab say the “borderless” concept is what the real world is like. they want visitors to get lost rather than follow the order.”
The slow shutter speed made the hares appear exoskeletal as they jumped down the corridor with you.
Apart from William Kentridge’s - 'More Sweetly Play The Dance’, this was a breathtaking experiences. Links to Japan’s nature, art and culture are evident in most areas and makes the experience even more unique. The term ‘Museum’ is perhaps a misnomer. this is a digital installation and a very fine one at that.